Fringe: Armistice 1918 – British and French Airs of Death and Love

Church of St Andrews and St George - 18/08/23 

Jennifer Witton, soprano | Ben-San Lau, piano  

Another impressive concert by Ian McFarlane 

Ian McFarlane has done a great job over the years in introducing to the Fringe fine young singers on their way up to stardom. Last week I reviewed Andrei Kymach, a former winner of the Singer of the World, and today another of Ian’s earlier protegees, Catriona Morison, also a former winner of the Singer of the World, is singing in the International Festival. Today he has brought us Jennifer Witton, a fine young soprano who can be compared favourably to his earlier singers. Jennifer is a graduate of the Guildhall School of Music and its opera school and is already beginning a career in the opera companies of Britain and Europe. She was very sensitively accompanied by Ben-San Lau on piano; he has performed widely across Britain and is now in residence at Paris Opera. 

The theme of the concert is Armistice, songs written around the First World War by British composer Roger Quilter and French composer Reynaldo Hahn. Jennifer has a big voice which clearly has a future on the opera stage, and maybe at times was too big for the quiet setting of St Andrews and St George, but she also gave the songs meaning and colour which evoked the spirit of the period. She began with Roger Quilter’s ‘Come Away Death’ and ended with Reynaldo Hahn’s exquisite ‘A Chloris’, both beautifully sung, and in between she did justice to a varied programme of songs. Sadly very few people were present to hear Jennifer’s excellent concert, the perennial problem of competing on the Fringe with 3000 different shows. Like all Ian’s singers, Jennifer Witton would have graced the International Festival programme and I won’t be surprised to see her there in future. 

Don’t miss Ian’s final concert ‘Memories of Summer in Edinburgh’ on Friday 25th at 2.30pm with Jennifer Witton and Bethan Langford, again at the Church of St Andrew and St George in George Street. 

Hugh Kerr

Hugh has been a music lover all his adult life. He has written for the Guardian, the Scotsman, the Herald and Opera Now. When he was an MEP, he was in charge of music policy along with Nana Mouskouri. For the last three years he was the principal classical music reviewer for The Wee Review.

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EIF: Tippett’s ‘A Child of Our Time’

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EIF: Catriona Morison and Malcolm Martineau