Tina Moskal 07/04/2026 Tina Moskal 07/04/2026

Haydn’s ‘Seven Last Words’

Donal Hurley 02/04/2026 Donal Hurley 02/04/2026

Garleton Singers: Spring Concert

Steve Arnott 30/03/2026 Steve Arnott 30/03/2026

Beethoven 1 and 2, The Creatures of Prometheus Overture

Donal Hurley 30/03/2026 Donal Hurley 30/03/2026

Handel’s ‘Messiah’

Kate Calder 29/03/2026 Kate Calder 29/03/2026

The Language of Eden

Brian Bannatyne-Scott 29/03/2026 Brian Bannatyne-Scott 29/03/2026

RSNO: Dukas, Gershwin and Ravel

The EMR Blog

Unmissable gossip, concert previews, and general musings

Read it now

Recent blogs

Apr 6, 2026

Pitlochry Festival Theatre: Press Release

Apr 6, 2026

Pitlochry Festival Theatre’s 75th Anniversary Appeal

Apr 6, 2026

Apr 2, 2026

Preview: 2026-27 RSNO Season at the Usher Hall

Apr 2, 2026

Mar 11, 2026

Edinburgh International Festival 2026

Mar 11, 2026

Mar 10, 2026

Baroque Music Festival

Mar 10, 2026

Mar 5, 2026

The Cumnock Tryst: 2nd International Summer School

Mar 5, 2026

Feb 22, 2026

More Thoughts on Wagner’s ‘Tristan und Isolde’

Feb 22, 2026

Feb 19, 2026

Quorum Arts Collective: Peter and the Wolf

Feb 19, 2026

Music in Peebles: Troppos

Feb 19, 2026

Feb 12, 2026

Preview: 200 singers in Poulenc and Bruckner

Feb 12, 2026

Haydn’s ‘Seven Last Words’

Garleton Singers: Spring Concert

Beethoven 1 and 2, The Creatures of Prometheus Overture

Handel’s ‘Messiah’

The Language of Eden

RSNO: Dukas, Gershwin and Ravel

The EMR Blog

Edinburgh Music Review